darkness (somewhere
above the stacks of retreads
and rings of stockpiled air filters
and rough pine planks that sag
under cans of every kind of paint
failing to approximate a rainbow,
where the top shelf’s a stash
of Hustlers and Playboys,
the chew roll of Copenhagen)
a single valentine from the drugstore
is hidden, with not a smudge
of grease or dirt on it.
Would it be hyperbole then
to say turpentine and thinner
perfume the air;
say the cobwebs
are like costume jewelry
accessorizing the beams and rafters;
their specks of dust,
tiny rhinestones
after last night’s killing frost?
Even the dead flies
and drops of oil spilt from drums
glitter in the weak and dirty light.
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